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I first began experimenting to create a new dialogue with my photography by combining my pictures with unconventional materials such as canvases made of weathered wood, sheet metal scraps, plexiglass, etc., and playing with the ancient method of encaustic. The encaustic medium captured my interest with its sculpture‐like qualities that come from building up layers of wax, embedding various media, and conversely subtracting and distorting the wax to create another type of texture. This medium suddenly broadened my ability, allowing me to express myself on multiple levels and imbue my work with layered narratives. By merging the image with the encaustic, it allows me the “push and pull" of sculpting.
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